There is one photograph on this whole page I almost did not put here.
I took it on the last morning, before I left for Rome. It is the last picture I have of you from that entire trip, and it is the saddest photograph I own.
You were dressed traditionally that day — the abaya. I never said this properly out loud at the time, so I am saying it here, in writing, where it cannot be taken back:
You looked beautiful. Not “nice.” Not “lovely.” Beautiful — and it made that morning harder, not easier.
Because I already knew what the day was.
I want to tell you how nervous I was, and I want to be exact about it, because nervous is the word people reach for and it is nowhere near big enough.
I had been fine in Dubai. Fine in India. Fine crossing an ocean in the wrong direction on almost no notice. That morning I could not hold an ordinary conversation.
My hands were not steady. I kept picking up a phone that had nothing on it. I kept running the same arithmetic over and over — flights, visas, calendars, work, money — hunting for a version of the future where I could hand you an actual date. There wasn’t one. I had nothing concrete to promise you and I knew it, and I hated standing in front of you empty-handed.
I was not afraid of missing you. I was afraid that photograph was going to be the last one that ever existed.
So I took it. And then I stood there far too long taking it — the way a man does when some part of him already suspects he is going to be looking at this picture for a very long time.
And then you drove me to the airport.
I need to stop on that sentence, because people say the airport like it is a place. It is not a place. It is a machine built for one purpose, which is taking people away from each other, and that morning I was the one being taken.
You dropped me off. You stood there and watched me go.
I have tried to write this part honestly about six different ways, and every version reads as too dramatic right up until I remember that it was, in fact, exactly that dramatic.
That was one of the saddest moments of my entire life. Not one of the saddest of that year. Of my life.
I was not sad the way a man is sad when a good trip ends. I was hollowed out. I walked into that terminal with my chest full of wet cement and my face doing an extremely poor impression of a man who was fine.
And underneath all of it was the thought I could not make myself hold for more than a second at a time. Because there was a real version of the future — not a hysterical one, a perfectly ordinary, boring, statistically reasonable one — in which the woman standing at that drop-off curb was a woman I had already seen for the last time and did not know it.
I kept sliding off that thought. You cannot hold something like that and also walk in a straight line through security.
I was not afraid of missing you. I was afraid I had just looked at your face for the last time in my life.
But I was not walking out of there with nothing. I had exactly two things, and I want them written down.
I had Rome. One stop left before Los Angeles — and I did not know it yet, but Rome was about to answer a question I had not even finished asking.
And I had your seashell in my hand, and a promise out of your own mouth that we would see each other again.
That was the entire inventory. A shell and a promise. That was all I had, and it turned out to be all I needed.
And for that entire flight, I held the seashell.
The whole way. In my hand, then my pocket, then my hand again. Not as a souvenir — as a reminder of what kind of person had put it there. I was flying away from you and I wanted to keep a grip on what I already knew about you.
Ask anybody who knows me. I lose everything. Keys, sunglasses, phones, entire jackets. I am famous for it in my family.
You told me not to lose it. I have never once come close. Not in all the miles since. Explain that to me.
I landed in Rome carrying exactly two things. A shell I did not understand yet, and a photograph of a woman in an abaya that I could not look at without something going tight in my chest.
I did see you again, Chahira. I need you to remember that — because standing at that curb, watching you drive away, I did not know it.